| TA40001 |
STAGE MANAGEMENT PRACTICE IN THE AKWA IBOM STATE COUNCIL FOR ARTS AND CULTURE |
| TA40002 |
COMPARATIVE ANALYSIS OF AUDIENCE ENGINEERING IN THE UNIVERSITIES OF UYO AND CALABAR |
| TA40003 |
A COMPARATIVE ANALYSIS OF THE EXPERIMENT AND FEEDBACK OF THE THEATRE FOR DEVELOPMENT PROJECT IN IBIAKU COMMUNITY 2013 |
| TA40004 |
AN ASSESSMENT OF MASS MEDIA CAMPAIGN AGAINST FEMALE GENITAL MUTILATION (FGM) IN AGENEBODE, ETSAKO EAST LOCAL GOVERNMENT AREA |
| TA40005 |
INFLUENCE OF NIGERIAN HOME VIDEO FILMS ON CRIMINALITY |
| TA40006 |
FUNCTIONS AND RELEVANCE OF COSTUME IN NGWAS EKPE FESTIVAL |
| TA40007 |
THE IMPACT OF NIGERIAN NATIONAL THEATRE AS A VEHICLE FOR CULTURAL PROMOTION AND COMMERCIAL VENTURE |
| TA40008 |
AUDIENCE PERCEPTION OF MEDIA COVERAGE AND MANAGEMENT OF THE 2011 POST ELECTION VIOLENCE |
| TA40009 |
CONFLICT-SENSITIVE REPORTING IN NORTHERN NIGERIA |
| TA40010 |
FROM DIFFUSION TO COMMUNITY PARTICIPATION: THE COMMUNICATION STRATEGIES OF THE NATIONAL MALARIA CONTROL PROGRAMME (NMCP) |
| TA40011 |
A GENDER ANALYSIS OF NIGERIA’S MILLENNIUM DEVELOPMENT GOALS IMPLEMENTATION REPORTS |
| TA40012 |
AN APPRAISAL OF ELECTRONIC WALLET COMMUNICATION IN GROWTH ENHANCEMENT SUPPORT SCHEME OF AGRICULTURAL TRANSFORMATION AGENDA |
| TA40013 |
ASSESSING PARTICIPATORY RESEARCH FOR EFFECTIVE DESIGN OF HEALTH COMMUNICATION |
| TA40014 |
COMMUNICATING CHANGE AND SOCIETAL VALUES IN SELECT NIGERIAN HOME MOVIES |
| TA40015 |
COMMUNICATION AND GOOD GOVERNANCE |
| TA40016 |
COMMUNICATION IN AGRICULTURAL RESEARCH AND INNOVATION PROCESS |
| TA40017 |
TESTIMONIAL ADVERTISING AND CONSUMER BEHAVIOR OF CHIEF ZEBRUDAYA’S CELEBRITY ROLE IN “ELEPHANT BLUE DETERGENT”ADVERT |
| TA40018 |
THE INFLUENCE OF THE INTERNET ON INFORMATION ACQUISITION AMONG STUDENTS |
| TA40019 |
VIOLENCE
PORTRAYAL IN HOLLYWOOD AND IMPLICATIONS FOR YOUTHS? MORAL DEVELOPMENT: A
READING OF “THE HOSTEL” AND “THE LAST HOUSE ON THE LEFT” |
| TA40020 |
WOMEN’S PARTICIPATION IN COMMUNICATING PRIMARY HEALTH-CARE POLICY |
| TA40021 |
YOUTUBE, NEW MEDIA, ADVOCACY AND THE CHALLENGES OF AUTHENTICITY |
| TA40022 |
THEATER AS A TOOL FOR COMMUNICATING HAND WASHING AMONG PRIMARY SCHOOL PUPILS |
| TA40023 |
A CRITICAL STUDY OF SOCIO-CULTURAL PRACTICES HINDERING WOMEN’S POLITICAL PARTICIPATION |
| TA40024 |
INFLUENCE OF NIGERIAN HOME VIDEO FILMS ON CRIMINALITY |
| TA40025 |
FUNCTIONS AND RELEVANCE OF COSTUME IN NGWAS EKPE FESTIVAL |
| TA40026 |
THE IMPACT OF NIGERIAN NATIONAL THEATER AS A VEHICLE FOR CULTURAL PROMOTION AND COMMERCIAL VENTURE |
| TA40027 |
ROLE OF MUSIC IN TRADITIONAL FESTIVAL |
| TA40028 |
IMPACT OF HOME VIDEOS (FILMS) TO YOUNG YOUTHS IN NIGERIA (A CASE STUDY OF KADUNA STATE) |
| TA40029 |
IMPACT OF NIGERIA NATIONAL THEATER AS A VEHICLE FOR CULTURAL PROMOTIONAL AND COMMERCIAL VENTURE |
| TA40030 |
HOW TRADITIONAL IS AFRICAN DANCE TODAY: AFRICAN DANCE AND ITS ESSENCE |
| TA40031 |
THE
INFLUENCE OF FOREIGN TELEVISION ON NIGERIAN YOUTHS: A CASE STUDY OF
YEAR TWO STUDENTS IN DEPARTMENT OF THEATER AND FILM STUDIES, UNIVERSITY
OF PORT HARCOURT |
| TA40032 |
COSTUME AND MAKEUP AS A VITAL TOOL FOR CULTURAL AND TOURISM PROMOTION AND PRESERVATION IN NIGERIA. |
| TA40033 |
THE IMPACT OF MUSIC ON TELEVISION COMMERCIAL |
| TA40034 |
COSTUME AND MAKE-UP AS VARIABLE TOOLS FOR CULTURAL PROMOTION AND TOURISM. A STUDY OF NIGERIAN HOME VIDEOS |
| TA40035 |
RT PROJECT TOPICS AND MATERIALS |
| TA40036 |
FUNCTIONS AND RELEVANCE OF COSTUME IN NGWAS EKPE FESTIVAL |
| TA40037 |
THE EFFECT OF MUSLIM WOMEN PARTICIPATION IN HAUSA FILMS |
| TA40038 |
STAGE MANAGEMENT PRACTICES IN THE AKWA IBOM STATE |
| TA40039 |
CHILDREN’S LITERATURE FOR CULTURAL INTEGRATION IN NIGERIA: AN APPRAISAL OF SOME SELECTED WORKS OF FATIMA AKILU |
| TA40040 |
A CRITICAL ANALYSIS OF PRETEXT, TEXT AND CONTEXT IN THE STAGE PRODUCTION OF DEATH AND THE KING’S HORSEMAN |
| TA40041 |
COMMUNICATING CHANGE AND SOCIETAL VALUES IN SELECTED NIGERIAN HOME MOVIES (A STUDY OF NOLLYWOOD) |
| TA40042 |
INFLUENCE OF HOLLYWOOD FILMS ON THE MORAL VALUES OF YOUTHS |
| TA40043 |
AEROBICS AND PERFORMANCE ENHANCEMENT IN THEATRE PRODUCTIONS |
| TA40044 |
THE HISTORY OF NATIONAL THEATRE |
| TA40045 |
PRINCIPLES OF DESIGNING AND THE APPLICATION OF MAKEUP IN NOLLYWOOD PRODUCTION: A CASE STUDY OF “MORNING AFTER DARK” |
| TA40046 |
THE INTERPRETATIVE FUNCTION OF COSTUME: A CASE STUDY OF THA 303 PRODUCTION |
| TA40047 |
THEATRICAL AND ARTISTIC ELEMENTS OF EZEN-MOR FESTIVAL OF UMUSADEGE PEOPLE |
| TA40048 |
THEATER ARTS PROJECT TOPICS AND MATERIALS |